Category: Tolkien

Corey’s Poetry Dice-Roll Activity

• First Poem – Athelas
  When the black breath blows
  and death’s shadow grows
  and all lights pass,
  come athelas! come athelas!
  Life to the dying
  In the king’s hand lying!
• Second Poem – Chip the Glasses
  • The First Tolkien poem most people ever skip
    
    Chip the glasses and crack the plates!
    Blunt the knives and bend the forks!
    That’s what Bilbo Baggins hates—
    Smash the bottles and burn the corks!
    
    Cut the cloth and tread on the fat!
    Pour the milk on the pantry floor!
    Leave the bones on the bedroom mat!
    Splash the wine on every door!
    
    Dump the crocks in a boiling bowl;
    Pound them up with a thumping pole;
    And when you’ve finished if any are whole,
    Send them down the hall to roll!
    
    That’s what Bilbo Baggins hates!
    So, carefully! carefully with the plates!
    
• 3rd Poem – The Hoard
  
  When the moon was new and the sun young
  of silver and gold the gods sung:
  in the green grass they silver spilled,
  and the white waters they with gold filled.
  Ere the pit was dug or Hell yawned,
  ere dwarf was bred or dragon spawned,
  there were Elves of old, and strong spells
  under green hills in hollow dells
  they sang as they wrought many fair things,
  and the bright crowns of the Elf-kings.
  But their doom fell, and their song waned,
  by iron hewn and by steel chained.
  Greed that sang not, nor with mouth smiled,
  in dark holes their wealth piled,
  graven silver and carven gold:
  over Elvenhome the shadow rolled.
  
  plus more verses

Corey Olsen Keynote Address

• The Music of Words: Tolkien and Hip-Hop
• I am not the “Hip-Hop Professor”
• Poetry as an active literary for died in the 20th century – except here
• Traditional Poetry: A framework vs the words you are saying. Rhythm and Rhyme
• Example Dr Seuss – Starts with a perfect rhyme but there he varies it at the end and then later last line is a big twist
• Origin DJ + MC in Harlem 70s street parties
  • Rhythm+Rhyme in a musical context
  • Has an actual beat and music
• Run DMC – It’s like That
  • Preamble
    • The line breaks in printed lyrics match the meter
    • This is rarely true with normal printed lyrics
    • They are often also inaccurate
  • Review
    • The shape and packing is not unlike a normal song
    • But the music of the piece is entirely spoken words
  • Rhyme Scheme
    • Beats – beat 3 is where all rhymes are
    • “Thats the way it is” never rhymes with anything. Because the point of a song is that things are wrong
• Redman: “Time 4 Sumaksion”
  • Beat 1 and 3 are the primary beats
  • Diagram – Blue is primary
• Rakim: Guess Who’s back?
  • One of the few hiphop artists who does multi-syllabic rhyme
  • Much less rigid, less stuff on the 3rd beat
  • Signals change to rhyme ahead of time
  • Parody the “Simplicity of what Djs do”
  • The hip-hop version on enjambment
• Tech N9in: Devil Boy
  • Empty first beat ( until the last time )
  • “god i ly” three syllable word
  • Lots of alliteration
  • Then transitions to new pattern for second half of the verse
• Eminem: “Lose Yourself”
  • One of the most perfect and extraordinary passages of poetry in the English Language
  • “sweater and sweaty” don’t rhyme 100% but that isn’t important
  • Rhyme matches the narrative ( where is gets stuck in front of the crowd )
  • Main bit: 3 syllable rhyme at end of most lines ( gravity, rabbit he ) and separate 3 syllable rhyme at the start of each line.
  • ..and he keeps the narrative which varying the flow
  • In the chorus everybody dances . Transitions in simpler 1-2 syllable rhymes
• Eminem: Without Me
• Eminem: Lock it up
• Eminem: Untitled
  • Raps in 6/8 measure (unlike 99% of RAP is in 4/4)
• Eminem: Venom
• Eminem: Godzilla
  • Extremely fast bit
  • Speed up? But has been performed live at similar space
• Joyner Lucas: From ‘Lucky You’
• “This is going to be quick, we’re just going to talk about two Tolkien Poems”
• Tolkien: Gimli’s Song
  • Very Regular. Should be boring
  • But it isn’t boring, why?
  • The 3rd dimension of this poem is alliteration
  • Tolkien sees d/t and y/w as cousins in rhyming (see Tengwar )
  • Does a melody in the alliteration on top of the rhyme
  • Varies things at the end to indicate a closing (and pump up the final line)
• Does he do this elsewhere, pick another poem
• Tolkien: Boromir’s Lament
  • This poem is a more complicated meter and is more complex overall
  • Alliteration: W’s form the dominate theme
  • n’s and m’s also
• Q: What Literature influenced early rappers?
  • Possibly just emerged and influenced each other
• Q: Public Enemy?
  • Listened to a lot of that. And commentary on them

Presentation: Sam Lewis – The Elves and the Celts: Elvish Poetry in ‘The Hobbit’

• Big disclaimer at start.
• Tolkien’s Faerie
  • Mythology for England / Britain
  • But the Celts were already there
• Creating a Celtic Britain
  • 1760 onwards , sometimes manufactured
  • Anglo-Saxon = Modern . Celt = mythical, stone-age, edge of world
  • Tolkien’s view
    • ‘The wild incalculable poetic Celt”
    • co-inhabitants of the same island
• Teutonic and Celtic in ‘The Hobbit”
  • Three poems
• The Withered Health
  • Dwarf poem from Queer Lodgings in The Hobbit
  • wind is usually interpreted as representing the swarves and/or providence/fate
• O! What are you doing?
• The Dragon has Withered
• Talk a bit fast for me too keep up with notes

Presentation: Lauren Brand – The Music of Nimrodel

• As the company enter Lothlorien they come across the stream the Nimrodel
• How much music in Middle earth relates to fresh water bodies?
• Mapped up occurances of references to bodies of water and looked for songs/music and other descriptive words
  • 1216 occurrences
  • 621 no description
  • 123 a sound
  • 231 visual description
  • 53 touch
  • 20 taste
  • 22 smell
• Sound comes and goes in various stages. Some waters like the Brandywine is described
• Mordor has little water but Sam and Frodo are obsessed with it’s lack so lot of descriptions
• Where is is the music of waters?
  • “a dream of music that turns into running water”
  • “a voice singing mingled with the sound of water”
• Other noisy places
  • Gate stream “trickling” , “a swish followed by a plop”
  • “A mighty roaring mingled with a deep throbing boom”
  • “Voice of Morgalduin … seemed cold and cruel”
• Spirit of the River is common
  • Like to drag people underwater and drown them
  • Jenny Greenteeth
• Goldberry
• Nimrodel
• Others
  • Raros
  • Mirrormere
  • Galadriel’s Mirror
• In conclusion, listen to the sounds around you especially the sounds of waters

Presentation: Cassidy Winter – Invertebrates in the Works of Tolkien and the Societal Impact of Those Portrayals

• Hypotheses
  • Shelob = Hobbit
  • If Invertebrates written as evil by Tolkien
• What is an Invertebrate?
• Ungoliant
  • Takes the form of a Spider
• Beorn’s Giant Bees
• Mirkwood Spiders
• Were-worms
• Shortcut to mushroom: Spider, Centipede, Earthworms
• Neekerbreekers
• Morgul Flowers and Flies(?)
• Sheblob – Spider
• Butterflies
• Gwaihir’s Moth pal – Film only
• Ants, Glowworms, snails
• Compiled list of all animal entries in Tolkien
• Invertebrate by clade and alignment
• Spiders mostly bad, butterflies mostly good
• Stats
  • Horses good
  • Reptiles evil
  • invertebrates up in air
• Horses have a capacity for evil matched only by Humans in my opinion

Presentation: Ilana Mushin – Pride and Prejudice

• What does Tolkien mean by Pride / Proud?
  • “proud and fair” in the dead marshes
  • “pride and dispair” Gandalf to Denothor
• Pride is French word with positives connotations
  • Once in Old English it started to become negative (haughty, overbearing)
  • Middle-English – Gets back some positive meanings
• The Grammar of Pride / Proud
  • To complex for me to summarize
• Around 30% uses were positive
• Negative 37%
• 33% not clear if it positive or negative
• Who is proud?
  • Saruman
  • Individual Elves (but sometimes Noldor)
  • Denethor
  • Folk of Gondor
  • Shadowfax
  • Turin
• Sauron and Morgoth are not described has having pride

Presentation: Jordan Rannells – Exploring the Legendarium in 3D Audio

• Created a 3D Audio experience for the Lord of the rings. Ambient sounds and music lines of the the Williams and Serkis audiobooks of the Lord of The Rings
• Demo with Farmer Maggot and the Hobbits riding in his cart. Showing the way different channels are used
• Demo from start of the Hobbit
• People who know the stories can just listen to the soundscape and if the know the story well they can guess where they are without the actual audiobook words
• So Far Hobbit, LoTR, First Happy Potter and Wheel of Time
• Working on the Silmarillion. This is got a lot more music since Ambient is not so useful since words don’t usually directly describe things happening in real time.
• Also working on more Wheel of Time and Tolkien “The Three Great Tales”
• Origin of project
  • Started exclusively listening to audiobooks
  • Heard the Phil Dragash version
  • Listened to Star Wars versions but though they didn’t do as much music as liked
  • Heard some dramatizations and wanted to do with the full full text
  • Technology improved so multi-channels via headphones worked
• Most of the Ambient sounds came from libraries but created some himself

Presentation: Julian Barr – World Breaker

• Reading from his new Epic Fantasy Novel
• Inspired by Aus bushfires and Covid lockdowns
• Got comfort from old Fantasy Books
• “Heroes still exist and bad times don’t last forever”
• Rediscovered like of fairy-tales
• Mashing fairy-tales with high-fantasy
• Julian did a longing reading from the book
• Maps? – Country fairly small but quite detailed
• Languages? – No constructed languages in book
• Please expand on Origins
  • Inspired by Australian communities surviving wildfires
  • 21st century seems to require a lot of resilience
  • Worried especially younger people despairing about the future
  • But people are more adaptable than many give credit for
  • Series says ordinary heroes still exist and can overcome
• Planned for 3+ in series . But working on other projects too

Presentation: Stephen Vrettos – The Sound of Silver

• Sliver is a motif in Legendarium
• The sound of the word works will in hhrase
• Sounds of silver: Soft tone
  • Movement of water
• Gold in middle earth is often associated with evil
• Water in a spring is described as “falling silver”
• “murmuring of a silver stream”
• “sheer, heart-piercing silver, rang her voice”
• Brighter high-pitched sound than gold
• Lots and lots of examples. I wasn’t able to keep up.
• Goldberry – name is Gold, associated with Silver?
  • But her name mostly comes from Water Lilies
  • Probably the colour of the rushes
• Also the Gold-Substance is partially seperate from Gold-Colour
• Some discussion on the sound of Mithril
  • silver is bells, mithril is Tubular Bells

Additional question for morning Speakers

• Some more discussion about Silver and other metals
• Julian talked a lot about apples trees in the extract he read and how apples trees are big in mythology

Discussion Panel: Anthony Lawther, Phillip Menzies and Elizabeth (Dizzy) Rodrigues-Schifter – Exploring Espressione in “Exploring the Lord of the Rings”

• Panel Discussion
• Posted version of the Exploring the Lord of the Rings theme
• Outlines who they started joining listening to the podcast
• Gave an overview of the podcast and what it is about
• “My Wife says: Can you put Corey on when we are in Bed so she can fall asleep”
• Talks above favorite bits of the podcast. eg exactly where Frodo was stabbed, the Wargs
• Poems each liked
  • Dizzy – Road goes ever on
  • Phil – I sit beside the Fire
  • Anthony – Gimli’s song about Durin
    • Giant Spreadsheet, showing stresses of words etc
    • Questions about listening to the podcast, how much is about the book and how much other stuff.

Welcome

• In the grey area between fan convention and academic conference

Cover Versions: Exploring Adaptation Through Concepts of Legendarium Resonance by Louise Mathieson

• Which cover of the song “Over the Rainbow” do you like?
• People tend toward the original being best
• For Tolkien people have trouble even agreeing what is “canon”
• People criticise adaptations and what they change
• Borrow from music and “the cover version”
  • Echos, resonance, harmony
• Repetition without replication
  • Make the text or song ones own
• A cover version of a new interpretation of an existing musical work
• Difference between a cover version and a performance
  • Is a performance always trying to be identical?
• Hetrocoosm – an adaption of an entire story world rather than a single story
• The Hobbit Trilogy
  • Takes a children’s song and reconstructs as a complicated 3-part symphony
• Reconstruction of rhythmic elements and driven by temporal elements
• Harmonic and Dramatic deployment of consonance and dissonance
• The Language of a Cover Version is useful for examining Tolkien Adaptations

John Sangster: Australian Jazz Composer and Lord of the Rings by Andrew Johnson

• Born in Melbourne . 1928-1995
• Recorded 4 double albums about Middle Earth between 1974-78
• Overview of Career
  • Traveled to Europe, learned the drums on the way over on the boat
  • Learnt a lot over there and in US
  • Came back to Australia. Was on TV regularly in various roles. Did music for various shows (eg Hanna Barbarra)
  • Musical director of ‘Hair” musical in Australia
  • Very busy with TV during day, gigs in evenings
• Tolkien
  • Introduced in 1958
  • Thought there should be more musical and adaptations of the stories
  • The Hobbit Suite – 1973
    • Sold well and had residuals from cartoon music. Gave him some time
  • Released “Lord of the Rings” in 1974. Very successful . Jazz
  • Created 16 more tracks and released as Volume 2 in 1975
  • Volume 3 in 1976
  • Lots of amusing songs titles
  • Two additional Albums with music
• Music reissued following Jackson LOTR movies
• Total seven hours of music
• No issues with Tolkien Estate at the time
• The album covers
• Tracks for albums are listed here and nearby pages

Presentation: Phillip Menzies – The Words and Magic of Music in Rings of Power

• Explanation of various bits of music in the Rings of Power
• Themes from locations like Valinor
• Themes for People like Galadriel ( one of the most common on the show)
  • Galadriel also has a second theme that hasn’t been heard in the show yet
• Sauron’s theme. Ostinato
• See the S1 Prologue scene (with young Galadriel’s boat) has some of Sauron’s theme
  • The Boy with Red Head might be a Sauron equivalent (or even him)
  • Red Hair in the series is often linked to evil
• Had to skip the music in the Anatar revel in S2 due to time
• What does Magic sound like?
  • Examples
• The Stranger
  • Lots of hooks in with the Magic music. Like the magic is part of him

Arda Measured with Jackson Mitchell-Bolton

• The Geocosmology of the Tolkien Legendarium
• General – Cosmology of Arda
• Overview
• 1st and Much of 2nd age
  • Flat and Enclosed
  • Late 2nd Age
  • Changes to being a sphere
  • Valanor separated from the rest of the world
  • What the earth is now
• What did Tolkien show us about the World?
• 5 maps in Ambarkanta
• Map 5 – Need to find out the scale
  • Start with main Lord of Rings map which has scale
  • Astronomy has a distance ladder
• The First Map of the Lord of the rings
  • Extends much further especially to the North
  • Has some differences with Final Map though
  • Fitted with Published map over the First Map
  • Created Smallest, Largest and Best matches
  • 3 possible lengths of 300 miles. Length of “red line” is 400 +-7 miles.
• The 2nd Silmirilion Map
  • Looking at features around the Blue Mountains
  • Able to get a size of Balariand
• But the Gulf shows up on map 5 so can go direct
  • So Using map 5 the equator is 13, 15 or 17 times the reference distance.
  • Girdle of arda is 13.3 +2.5/-2.2 times the reference length
  • Length of Girdle is 6120 -+1000 miles
  • about 0.77x the size of the earth ( +0.14/-0.11 )
• Compare to the Atlas of middle Earth.
  • 6400 falls in his estimates
• Ambarkana Diagram III – The worth made round
  • The straight path is a little bit wobbly
  • But actual distance is only about 1% different
  • Estimated size of Ardar is about half of present day earth
• This would imply greater there have been significant changes to the world some time between the books and the present day

Oaths and Promises: A Path Through Darkness and Uncertainty with Stephen Vrettos

• Oaths are used to obtain certainty
• The Oath of Feanor
  • He cannot offer them safety in middle earth
  • Rallys the greater path to follow him
• The Oath of Eorl, The Oath of Ciriom
  • Came to rescue of Gondor
  • Swore friendship with each other
  • Came to each other’s aid over the years
• Smeagol’s promise
  • Serve the Master of the Precious
• Why are Oaths so effective?
  • Certainty on how people will act
  • Certainty how other kingdoms will act
• Oaths have the ability to propel their own fulfillment
  • Language in the Silmirilion – “The Oath drives them”
• Iluvatar will enforce the Oaths are fulfilled
  • None can see how to get out of Oath of Feanor
  • Isildur’s Curse. How did a mortal man have the ability to bind the Oathbreakers beyond their deaths?
  • Seems unlikely he could do this himself even if he had magic. Even Valar could not make men immortal
  • Power of curse probably came from Iluvatar
  • Smeagol’s Oath – Frodo has no power, enforcement must have come from Iluvatar
  • Lots of discussion on this, hard to summarise

Keynote Address with Corey Olsen

• What is Estel?
• Two words in Sindarin for Hope. Estel and Amdir
• Amdir
  • Believe things are going to work out
  • Can have significant grounding and fact, analysis and reason
  • Take Glorfindel rather than Pippin in fellowship
• Estel
  • Elrond talking this up during council
  • Trust this is the right thing to do
  • “faith” is sometimes used but Corey is going to avoid using it. Has too many associations and different meanings.
  • “trust” might be a better word
• Estel = Trust
  • Stubbon Hope – Sam’s song in the tower. “In western lands..”
  • “I will not say the day is done, or bid the stars farewell”
  • The “Stars Forever Dwell” .. “Sam saw a while star twinkle for a while”
  • It doesn’t matter if we both dies, the shadow can’t reach the high beauty so the shadow will eventually lose
  • Trust in the Really big picture
  • Concerning Heroes – On the stair – “But so our path is laid”
  • Sam previously believed Heroes in stories were the kind of people who went out looking for them. Now understands they found themselves on a path that was chosen for them.
  • “But the people in it don’t know”
  • If they had turned back they would have been forgotten. Implies there were many others that had
  • The Unknown – on Stair after the above passage
  • Frodo opines that the people in a story don’t and shouldn’t know that what sort of the story he’s in.
  • It will change the story if the protagonist if the hero knew who it will turn out when they made choices.
  • Hope dies in Sam – Star of Mt Doom chapter – “But even as hope died in Sam”
  • Sam picks up he is in a sad story, from which he won’t come back
  • Doesn’t really fully accept that, thinks of the Shire and how he wants to see them. But his Amdir dies and he no longer hopes he will see them
  • But his Estel remains. He is walking the path because it is the path that has been laid for him.
  • Trust, what should be, shall be
  • Gandalf has a Suggestion – Shadow of the Past – Gandalf tells Frodo about the Ring
  • “There is only one way…”
  • How do you move the Ring from the Shire to Mordor?
  • “My only candidate for Ringbearer has failed to throw the ring into a fire” … “under the most optimal circumstances possible”
  • Gandalf knows that Frodo will fail – Amdir is low
  • Encouragement – Shadow of the past – There was more than one power at work
  • “Bilbo was meant to find the ring, and not by it’s maker”
  • Gandalf tests Frodo to see how affected he is by the Ring. Results not encouraging
  • Follows Estel
  • Bedrock – “Shall prove but mine instrument”
  • You can choose what you role is in the story
  • Questions
  • Q: Hope vs Despair
  • A: Despair is for those who see the future 100% . But you can lose all your Amdir but still keep you Estel . But Denethor lost both while Sam above kept Estel
  • Q: Is Gandalf’s selection of Mary & Pippin in Fellowship same as selecting Frodo to take ring?
  • A: Yes. The signs have provided two candidates. “That probably is the path”
  • Missed a couple of questions cause I was googling for a comic someone mentioned.
  • Q: Tolkien is the master of Mindfulness
  • Q: The whole book we has readers we have to have hope all the way through
  • A: Trudi gave up FoTR because Gandalf died and not much book left. Didn’t want to read “That kind of book”. She had a failure of Hope.
  • “Is this a kissing book?”

“She was not conquered”: Morwen and Motherhood in Middle-earth with Ilana Mushin

• Revisit 16-year old essay on Woemen in Tolkien
• Mother of Turin, wife of Hurin, Daughter of Baragund
• Sends Son Turin to Doriath but decides not to to accompany him
  • Long road, she is pregnant and safer with few in group
  • Hope Husband still alive
  • Would not take charity
• Mother in Anguish, fingers bleeding as Turin leaves ( “Sorrows of Turin”)
• Other scholars have noted that some of the problems of Turin are blamed on her
• Often scholars are negative towards her
• Tolkien and mothers
  • Tolkien lost mother early, often much read into this
  • Most left out of the story
  • Sometimes just genealogical
  • When acting as mothers sometimes they are sacrificing themselves
  • Later stories (and versions of stories) by Tolkien tend to have more women or expanded roles (eg Galadriel)
• Morwen
  • She is present in the 1920 version, so not a product of later writing
• Pride
  • More maternal desperation
  • Words and deeds rather than he imputed thoughts should be looked at.

To Enter the Perilous Realm or Not to Enter? That is the Question with Trudy Shannon

• Our Tolkien heroes are always given hard choices and usually choose them
• Aldarion and Erendis
• Tolkien most explicit about Faery in “Smith of Wooten Major”
• Aldarion
  • Think of Numenor has the land of humans and middle Earth as the Land of Faery
  • Aldarion goes to middle earth
  • After Aldarion returns he has grown in statue and his eyes look far away (similar to Smith). He cannot explain exactly what he saw (like Smith)
  • He keeps going back (Like Smith) and becomes a great fiend of the Faery King
  • Does not pass on his “passport” to faery directly
• Erendis
  • Invited to middle Earth by Aldarion
  • She rejects the invitation immediately
  • Not open to possibility of adventure. No way she can walk this road
  • Remember Tolkien always gives his characters choices
  • Says she loves the Woods of Numenor. But late grows to hate their sight
• Diamond
  • Given by Aldarion to Erendis
  • Taken as her Bethrothal gift
  • Not 100% obvious if it is magical
• Not a happy ending
  • Withdraws from Kings count, moves away from trees, Stops wearing diamond
  • Unrecognised by other people
  • May have tried to reconcile with Aldaron or perhaps voyage to Middle Earth
  • Neither has a Fairy Story ending
• Conclusion
  • Us here at Ozmoot may already be partially in Faery
• Q: How does the star on the brown connect to Aragorn?
• A: The Hobbits have a vision when they are with TomB, but it is a tradition that goes back to this story, but Tolkien is interested in how stories replay though the generations
• Q: How autobiographical? Separate interests between Tolkien and his wife
• A: More communication than seperate interests
• Q: Are there more parallels to Aragon the Star wearer?
• A: Perhaps some. Is it mainly a political sign.

Tolkien, Faith, and the Final Eucatastrophe with Elizabeth Lyon

• Tolkien’s Catholic faith is well known to most of us
• It is easy to look past through it’s familiarity
• What is evidence it made it’s way into his fiction?
  • Often appears in his letters
  • Appeared in “On Fairy Stories” re subcreation
  • “I am a Christian which can be deduced from my stories”
• In what way did his faith shape his fiction, especially LOTR
  • Where is the religious sensibility in the book?
  • The LOTR is infused with the same light that illuminates the man who wrote it
• What of March 25th?
• The date of the destruction of the Ring
  • The Catholic Annunciation. Date of the Conception of Christ
  • First day of the new age of middle earth
  • Annunciation day was the start of the New Year in most European countries in Medieval times. Celebrated as a new beginning
  • 25th March is sometimes also marked as the date of the crucifixion
• The aftermath – On Mount Doom
  • Like a passion – A merging a triumph and tragedy, sorrow and joy
  • But the tale goes on
• Resurrection
  • Still to come. Not until the end of each character’s journey
  • Renewal of the Shire
  • Hope for final healing for most of our characters, but offstage
• The Mirror of Galadriel
  • His work is a mirror to the real world and a person’s view of it
  • Especially the quotes where she says what it may or may not show
• Questions
  • Q: What did you think he didn’t duplicate the final battle?
  • A: Don’t really know. It was not complete when he died
  • Q: Do you like the generally positive and hopefully writing of Tolkien
  • A: I read widely but Tolkien helpped me at a difficult stage in my life. Reads other things though

Memories of Another Land with Peter Kenny

• Galadriel
• Three brothers who all perished in the first age. Touch by grief early
• Denies Feanor tresses of hair but gives them to Gimli
• Comes to Middle Earth
• Comes into contact with Mellian and Celeborn
• Video of the poem with various pictures added
• 2nd version online

The Future of Creative Writing: Lessons From Tolkien with Julian Barr

• Close reading of fiction engage the motor-cortex of the brain
• How are things for authors these days?
  • Writing can feel like taking a vow of poverty
  • Most authors make also zero money
• How does Tolkien’s literary career give lessons to today’s authors?
• Creative angle
  • Your voice matters. His own perspective of philology was unique
  • But he wrote to be read. To his friends and family
  • So many people want to write a book but worry their perspective is too strange. But reads crave a different voices
  • ChatGPT creates fairly bland and generic words
• Have good people around you
  • eg Inklings
  • Encouragement, educated feedback, Good reviews and recommendations to others
  • Writing is a lonely art. May be responsible for depression in authors.
  • The most productive authors lift each other up
  • rejection happens to everybody. Tolkien was rejected
• Cultivate relationships with your readers
  • Tolkien did more so than most authors
  • Requests for details about Gandalf and the Necromancer feed into the LOTR
  • Probably mostly enjoyed others who liked Arda
  • Use social media. Connect with others. Give and don’t take. Don’t just do marketing
• Build a portfolio with the eye to the commercial
  • Art need not exclude commerce
  • Tolkien created all sorts of works, no initial market for them
  • Tolkien knew that people liked Hobbits so he eventually did that
  • But danger of writing the same book or series and nothing else
  • Can you another name if other books are significantly different
• Advances aren’t everything
  • A third of Australian authors reported not getting any advances. That might not be as bad as it sounds
  • A failure to earn out an advance can be a big black mark
  • The LOTR had no advance and got 50% of the profits instead
• Patience and Persistence are a key
  • In 1937 Tolkien had the desire to write fiction full time
  • He didn’t achieve his desire until the last years of his life
  • He didn’t get serious money until the 1960s
  • Many budding authors disappointed with the life
  • The ones who make a living hold on through the dark times
• Questions
  • Q: How do you find your own inklings
  • A: Join a writers group. Ads with writing societies. Very hit and miss. Signum lso has groups around it’s creative-writing classes
  • Q: What is you writing process?
  • A: Write every day, just a little bit

Corey’s Fun and Spontaneous Textual Discussion Exercise with Corey Olsen

• Do a close comparison of some passages
• Passages picked at random
• Random 1/4 chance
  • theme, character, language usage, special topic
• Review a LOTR Passage
• Choose a LOTR passe – D20
  • roll 6 = Book 2
• 10 Chapters in Book 2
  • Chapter 3 The Ring goes South
  • Paragraph 36
• ” The Company of the Ring shall be Nine; and the Nine Walkers shall be set against the Nine Riders that are evil. With you and your faithful servant, Gandalf will go; for this shall be his great task, and maybe the end of his labours. “
• Elrond starts with the number, but only has 7 mapped out
• Emphasis on Gandalf,
• Shall, Shall, But Gandalf gets a “will”
• 2 have chosen to go with you from the start. One is Faithful Servant Sam and the second is Gandalf who has been working on this great task for a long time
• Gandalf is going in service
• Speaking in a register
• Not symmetrical description of the two groups
  • Walkers not riders
  • But still paired
  • “The Nine walkers” is not an epic name
• “The end of his Labours” will go over Sam’s head, but links things to the longer story.
• Callback to the Labours of Hercules and similar myths
• “set against” but not a symmetrical group
• Company vs Fellowship. The Fellowship bit evolves during Book 2.
• “Faithful servant” rather then just servant. Lots of recent betrayals
• Now compare two passages
• Book 6, Chapter 5, Paragraph 12
• “In this house, lady. He was sorely hurt, but is now set again on the way to health. But I do not know–“
• Spoken by the Warden of the House of Healing to Eowyn
• An unexpected turn for Eowyn. She is trying to get out of the house and going over the head of the Warden
• He is pushing back and saying Faramir might not be available. She cuts right though that and demands to see him
• He is unlikely to really not know his condition
• She is using her ( foreigner, royalty, female) position to intimidate him and cut him off.
• Passage 2 from the hobbit, chapter 18
• “No!” said Thorin. “There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But sad or merry, I must leave it now. Farewell!”
• Thorin is living Eowyn’s dream
• Thorin has gone back on his earlier bad actions. He knocks down the wall he has created and directly rallys his former enemies
• It’s interesting that Eowyn is forbade a heroic death in the text where Theoden, Thorin, etc are granted it. Especially when so many of those seem redemptionary (theoden feels guilt for inaction under Wormtongue, Thorin for his greed in betreyal of the lake men)
• “I honestly don’t think that we can really criticise her for being so reckless when Rohan and even broader society holds the heroic sacrifice to high in respect” – Cassidy Winter
• The Battle has just been won, Bilbo did not participate in it. But Thorin is what you are has lasting and meaningful value
• Eowyn is about to have a similar conversion after he conversation with Faramir
• She embraces life and see a new way to make a contribution
• Need to remember both are members of collectivist cultures. Less individualistic that modern western culture
• “I think the big difference is that they had achieved their redemption and their death appears to be a reward of some kind. Her death is what she’s seeking as escape, rather than redemption”
• Thorin’s death is part of he redemption arc, but if he had lived he would still have been redeemed. Although probably screwed up later
• Contrast Boromir’s death is a important component of his arc
• Thoeden’s death is at the end of his road, he would have died soon anyway. this is the death he would have chosen
• Eowyn is still restless, whereas Thorin is at peace and has accepted what he has accomplished. But has moved away from what he originally wanted.
• “Child of the kindly West” would not make any sense to original Hobbit readers
• Exclamation mark at the end of “Farewell!” by Thorin could be read comically.
• A benediction of a King on his deathbed
• Especially since Bilbo had kinda Betrayed him just recently
• Looking at the characters rather than the specific passages, both characters have long been pursuing a specific goal, and only find peace when they turn away from that goal. or rather, starting a new trajectory along the way that is very different to what they thought they wanted in the beginning
• A Tolkien passage and compare to a non Tolkien passage
• Leaf by Niggle
• Passage about visitors and other duties preventing Niggle working hard enough his painting. Many Responsibilities that he must not neglect. eg his Garden
• Tenson with all his friends and relatives coming to visit. Although he visited them during the Winter so it is reaonabily fair.
• But he meets all his obligations. The Dilemma is all internal
• All his friends see him as a good person (except maybe the garden) they don’t see that in his heart he just wants to do painting.
• “Passages” is an interesting turn of phrase when describing a picture. It’s more typical for text.
• Neglected Garden = Great Scholarship of Germanic Philology .
  Painting = LOTR
• 2nd Passage is from Dune
• Fewer people have read Dune than LEaf by Niggle, comparatively few rooms in which that would be true.
• Scene at the end of the Feyd-Rautha’s fight in the Arena
• He has arranged for a great spectacle but this didn’t happen because slave’s death was clean
• Contrast been the attitude of Feyd and his opponent. The Atredies only has a single minimal chance to do something. Feyd doesn’t care about this person it’s just his small part of his plan
• Social responsibility
• Contrast Wants and desires
• Parallel is between Niggle’s paining and Feyd’s ambition for brutal supremacy over the universe
• Parallel they are both wasting time on fun projects rather than what they should be doing

The Little People and the Horn-Cry of Buckland with Lauren Brand

• Dedicated this talk to her father
• Climate change is not a comfortable topic
• The Hobbits in LOTR is just getting on with their lives. But their world is in threat of change. And not in a good way. Lots of bad reports just in the Shire
• Kubler-Ross Stages of Grief approach to seeing people’s “Climate Grief”
• In the first Chapters of The Lord of the Rings
• Denial
  • Sam and Ted’s discussion in the Green Dragon
  • “I won’t take Dragons now”
• Anger
  • Frodo and Gandalf talk about the ring
  • I would have done away with it
• Bargaining
  • Will you not take the Ring
• Depression and Fear
  • This Ring, How on earth did it come to me
• Acceptance
  • I cannot keep the right and stay here.
  • I should like to save the Ring if I could
  • as long as the Shire lies begind safe and comfortable
• When the Hobbits get back to the Shire
• Denial
  • Cottons hiding away
  • Hob Hayward going along with it
• Anger
  • Criticise the system
  • Hob Hayward anger at the sneaks in the ranks
  • Bargaining
  • Robin Smallburrow tries to explain why he is a Shirrif
  • No way to resign position
• Depression
  • Sam breaks down and cries at the sight of Hobbiton
• Acceptance and Empowerment
  • Tooks shut off their borders and did Guerilla actions
  • Fredagar Bolgar join band of rebels
  • Will Whitford, Lobelia,
  • 4 Companions. Lots of things
• Lessons from the Hobbits
  • Ignore they Nay sayers
  • Seek out information fom relaiable sources
  • Join with others
  • Share the burdon
  • Blow the horn and get angry
• Recommended reading and viewing
  • The Lord of the Rings
  • The Big Switch by Saul Griffiths
  • The Fully Charged Show
• Questions etc
  • ” Lobelia Sackville-Baggins as Gina Rineheart was not a comparison i expected to hear today “
  • Can grief make you stronger not weaker?
  • Nienna’s grieving
  • Peaceful vs Violent actions

Lamentations in a Troubled World with Trevor Bowen

• The song of the Ents and Entwives
• Growing apart by separate interests
• Sadness for a lost relationship
• Loss and separation without hope of reconciliation
• The Lament for Boromir
• People at movie screen booed at his first appearance
• The heroic character is undone by his virtues
• He escaped in the end in death. Died in state of grace
• Aragorn composes a poem for him at the end
• Technical details of Laments
• Galadriel’s Lament corresponds to Catholic Lament
• The Lament of the Roharim
• Inspired by the “Lament of the Wanderer”
• Theoden speaks some of the lines in the Movie. Contrasts himself with his great ancestor
• Courage to do what is right even against unbeatable odds
• Frodo’s Lament for Gandalf
• an emotion mechanism to manage grief
• A way to move forward and accept new challenges and responsibilities
• List of various other Laments in Tolkien
• Songs do lots within Tolkiens writing give the world a depth and history
• List of Tolkien’s joys and sadness
• Throughout the LOTR a profound melancholy pervades
• Everything is worse than what came before
• Lamenting the diminishment of the glorious past
• The Long Defeat
• How does Lament have meaning in our own lives?
• Pandemic, Wars, instability, inflation, etc
• Media brings it from places of war into our daily lives
• Samwise “There is still some good in this world and it is worth fighting”
• Question: What hope is there for Frodo and War Veterans?
• Answer: Frodo had vision from the start (in house of Tom B) that he wouldn’t make it back fully.

Trust is Unbroken/Broken: A Troubador Struggle with Ilana Mushin and Phil Menzies

• The Lay of Leithian
• Finrod vs Sauron in songs of power
• Just describes the song battle but doesn’t have any lyrics
• Inspiration
• Les Miserables – The confrontation
• Pocahontas – Mine, Mine, Mine and Savages
• Stray Gods (Role playing Musical)
• Structure
  • Rythm 6/8 vs 4/4
  • Where to start/end
  • Mapping the songs
  • F# major vs G# minor
  • ebb and flow / tuf-o-war
  • Finrod – woodwinds
  • Sauron – brass and electric guitars
• Listen for character themes and fall theme discussed yesterday
• Song played here